EARLY ENTERTAINMENT PIONEERS
								EDITOR'S NOTE: Sadly, it seems that the above-listed writer (along with many within the Asian/Asian Pacific American communities) have forgotten the achievements and victories of past entertainment pioneers in the 1920's and the various non-stereotypical milestones seen in the movie "Flower Drum Song."
	Anna May Wong		Phillip Ahn		Keye Luke		Sessue Hasakawa

Plus, no film (speaking of "Better Luck Tomorrow") can change the industry by itself, says Harry Lin, a veteran of Bay Area broadcasting who now is executive vice president of ABC's Web site, abc.com.

a		a
	Harlemm Lee		Jamisen Tiangco

 

``The movie industry is very conservative,'' Lin says. ``It's not proactive to change or trying to make waves. That's why independent film and cinema is so important: It's where change and risk occurs.''

Some APA upcoming entertainers such as Dat Phan has gone to the final rounds in NBC's "Last Comic Standing." Others such as Harlemm Lee and Jamisen Tiangco have done well in Debbie Allen's talent program titled "Fame."

WHERE ARE OUR COMICS
Listed below are some on-going comedy showcases that are available for prospective comics from the Asian/Asian Pacific American communities. Laughter have often provided effective ways to provide insights into the stories of our communities.
"CHOPSTICK COMEDY" Asian American comedy night (aka "Chopstick Comedy) comes to the world famous Hollywood Improv (8162 Melrose Avenue / Hollywood, CA / 323-651-2583)! Every other Saturday, Amy Anderson hosts this cutting edge show features a line up of the top Asian American comedians in the country. Check out www.geocities.com/amysfunny for all the show details. Group rates and industry comps available. Tickets are $10.00 and there is a full menu and bar at the venue. In the future, they will be having product giveaways from some groovy sponsors! NOTE: Amy has stated that if you are a starving artist, she will provide you with a discount if you contact her at amysfunny@yahoo.com.		ASIAN COMEDY NIGHT @ LAUGH FACTORY PK's [Paul Kim] Asian Comedy Show is at the World Famous Laugh Factory EVERY Saturday at 12am midnight. Free admisson for those on the guest list. (regular admission $15). If you would like to be put on the guestlist, email PK at prokreation@yahoo.com. and and visit the "event's website" for additional details. * 18+ can order non-alcoholic drinks.2 drinks min per person If you are an Asian stand up comic and you'd like to perform a 5 min.routine, please send a VHS or DVD to PK/Asian Comedy Show 8001 Sunset Blvd. Hollywood, CA 90046

DEFINITION OF A "STEREOTYPE"

One way to define the term "stereotype" is as a "loaded image," in other words, and image that is associated with a set of meanings and generalities. Thus, a racial stereotype is an image imposed on a racial group that defines that racial group according to a generality or a set of generalities become associated with an image and become stereotype? It occurs through repetition.

	BANNED BECAUSE OF STEREOTYPES
	Some shows and movies that have been pulled because of ethnic stereotyping include:
	*"Amos and Andy." The TV show, which was supposed to be set in Harlem, aired for two seasons in the 1950s. The reruns eventually were pulled after complaints that the characters--usually seen bumbling around or talking with an accent--unfairly portrayed African Americans.
	*"Speedy Gonzales." The Cartoon Network yanked the "fastest mouse in all of Mexico" off the air last year because of concerns over the portrayal of Speedy's friends, who were always taking siestas and often smoked and stole things. The cartoons were put back on when Latinos protested that they wanted them back.
	*"Song of the South." The 1946 Disney film was never released on home video in the United States because of concerns that the film made slavery look pleasant.
	For more information, please click HERE.

The advertising medium is designed to persuade consumers to buy, and to do so it must elicit particular emotions and ideas from within the consumer to influence him or her to buy. Stereotype can be used to elicit such emotions and ideas, whether or not the stereotypes have any logical connection to the product or service being advertised (in this case, depictions seen in the media such as film, television, advertising, etc.).

It has been written that "Gender, race and class stereotypes of Asian Americans in the media, especially those depicted in popular movies, give the impression of what Asian Americans are really like to other Americans as well as to Asian Americans themselves.

From the exaggerated depictions of exotic, sex-hungry Asian women to the gangster-involved, sexually abusive characteristics of Asian men, movie producers perpetuate the gender, race and class inequalities of Asian Americans by allowing these demonizing Asian characteristics to appear over and over in their box office movies. Examples of such characters appear in popular Asian-American movies such as The Year of the Dragon (1985), The Joy Luck Club (1993), Lethal Weapon 4 (1998), and Return to Paradise (1998). "

HONESTY & ETHICS OF OBTAINING FILM FINANCING 101 Outline Overview

HONESTY SHOULD BE THE FOUNDATION OF YOUR BUSINESS PLAN. There's no reason to spend the money to shoot on—or transfer to—film. For less than $10,000, you can own a complete broadcast-quality DV rig, including audio and a G4 equipped with Final Cut Pro. Let the distributor transfer it to film stock. Shoot tape and tell a good story for $20,000, and you'll be miles ahead of any moviemaker with a slick but boring $100,000, 35mm film. APA FIRST WEEKEND CLUB David Magdiel's "APA First Weekend Club E-zine" (see below) is a great resource for anyone who are interested in discovering the passions and artists that consist of this fast emerging Asian American cinema. For your convenience, we've listed the various issues for your review. 2003 EZINE LISTINGS 2002 MARCH APRIL  November 11, 2002 November 15, 2002 December 7, 2002 March 11, 2003 March 20, 2003 March 27, 2003 April 4, 2003 April 11, 2003 April 18, 2003 April 25, 2003 MAY JUNE JULY AUGUST May 2, 2003 May 9, 2003 May 16, 2003 June 6, 2003     If you're planning to raise more than $25,000, incorporating provides a legal separation of your personal funds from your film's funds, tax protection and legal protection (for you and your investors) if anyone sues the film company. If you're raising less than $25,000 . . . one can set-up a "Doing Business As" (DBA) account, but no legal protection or tax advantages. Need a business plan that is approximatel twelve (12) pages in length with frequent reminders and a clear disclaimer that it is clearly understoon that this is an extremely risky investment. PAGES 1–2: Introduction and Summary of Your Project that contains an overview (who's involved and costs), plot overview and investment opportunity (corporate structure, distribution, profit structure), film's audience and shooting process (digital, equipment, experience, personnel, etc.). PAGE 3: Include biographies of your key creative personnel such as producer(s), director, music composers and/or director of photography. PAGE 4: Introduction - Take this opportunity to flesh out the synopsis from the introduction. PAGE 5: What, when, where, where and how of your production and post-production timetable. BEND IT LIKE BECKHAM Director Gurinder Chadha, UK A world-wide box office hit, and the highest grossing British-financed film of the year in its native UK, BEND IT LIKE BECKHAM is poised to become a major breakthrough film in the US. Set in London's Indian community, it tells the story of a young soccer fanatic (Parminder Nagra), caught between following her heart and family tradition. An uplifting, boisterous and irresistible crowd pleaser, BEND IT LIKE BECKHAM is a film for everyone to enjoy! BECKHAM has been released in select cities and has become the biggest limited opening of the year on a per-screen basis. Fox Searchlight Pictures will expand BECKHAM into wider release on March 28, including: San Francisco, Cambridge, Chicago, Washington DC, Pasadena, Seattle, Dallas. Read the film's reviews and articles National Post LA Times Review Newsweek Article Reuters LA Times Commentary Continued Successes Beckham Hits with Audiences   PAGE 6: Contain's your budget's four categories of actual categories such as the following: Salaries and Fees (up-front costs for writer, producer, director, cast, crew, composer, Casting Director and legal and accounting services); Production Expenses (production office supplies, telephone bills, film stock, catering, sets, props, costumes, location fees, cameras, lighting and transportation); Post-Production Expenses (editing, music, publicity, cast and crew screening, video dubs, festival entry fees and festival travel costs); and Insurance and Contingency (a contingency is a reserve fund, usually around 15 percent of your budget, to cover any unpredictable costs). PAGE 7: Your Audience - This page describes your anticipated markets and the audience you hope will be interested in the film. PAGE 8: What is your publicity strategy? Options include film festivals, Website reviews, favors from publicist friends, guerilla marketing, college and special interest screenings. PAGE 9: Distribution - A typical distribution approach is the classic distribution pyramid, which starts with domestic distribution (theatrical, home video, pay-per-view, cable), possibility of self distribution and is followed by foreign markets. PAGE 10: Explain the funding of the picture, or the legal and business structure of your company, what type of corporation was formed, what state has it's been incorporated, how much monies will be raised, amount of deferred expenses, personal funds, profit structure for the investors and at what level will start the production. A special note that this is a contribution rather than an investment should be restated. PAGE 11: Your deferred expenses can be roughly broken down into cast, crew, post-production and miscellaneous (which would include music clearances, location fees and anything else you have yet to determine). You should state that deferred amounts could vary based on the actual needs of the production. PAGE 12 Give a profit participation sample, where you explain how money from a sale would be distributed. This page should state that these are purely hypothetical numbers and are not intended to represent the actual sale or profit of the film. CLICK HERE FOR ADDITIONAL AND SPECIFIC INFORMATION>>>>> IMPORTANT FINAL WORDS Don't make unnecessary expenses (i.e. corporate and fancy stationery, etc.) materials (photos, relevant articles, etc.). Make sure that all agreements are in writing, including your own agreement on how you will be compensated. Make one-page agreements with your contributors that explain the investment structure and include a statement to the effect that they understand they will lose their investment. You should also have written agreements with your cast and crew that spell out what they will be paid during production and what their deferred pay will be.

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